// It may be said that Eliasson, like Duchamp, does not produce
works of art. Rather, he organizes and transforms conditions of experience. The
widely known Weather Project at the Tate Modern in London in 2003
is a primary example. Every Eliasson work entails the production of a machine
that activates other machines - in particular, the sensation-producing
body-machines of the viewers themselves. In the exhibition presented here are
displayed 54 experiment-machines (they could also be called “perceiving
machines”) that each explores an aspect of how the human body and nervous
system orients itself in space and time by tapping clues implicitly or
explicitly from its environment, from which it innovates its own irreducibly
unique “life in space. //