BLOODROOT BLADES / VAN WYK & SNYDER

//Unlike knifemakers who start by grinding down stock pieces of metal, these highly sought-after blacksmiths go to junkyards and auto yards to find recyclable metals they can manipulate, whether old springs from a 1954 Chevrolet or discarded brass from a shipwreck. They transform selected scrap metals into one-of-a-kind knives so stunning that customers are willing to order the blades more than two years in advance.//

//The word cleave can mean two different things: The word cleave can mean to bring apart as in cleaver" but the word cleave can also mean bring together. And the knife does both of those things at the same time, which I think is an incredible thing. It is cleaving food from itself to cleave people together. And that's a really neat characteristic of how knives work with people.//

WOOL AND AIR COLLECTION / MALAFOR

With furniture like this moving apartments would be much more easier. The AIR collection, by polish design studio MALAFOR, consists of a sofa, armchair and three variations of stools. Each piece consists of a metal frame and inflatable pillow, they are light and easy to dismantle. 
Inflatable pillow comes in a pillow cover and both are made of modern textiles. Inflatable bags are very durable and can withstand the pressure of 2 tons. If pierced, they can be quickly and cheaply replaced. The pillow cover is made of an extremely durable, non-flammable and easy-to-maintain textile.




  

FOOD FOR THOUGHT

//It is… advisable that the teacher should understand, and even be able to criticize, the general principles upon which the whole educational system is formed and administered. He is not like a private soldier in an army, expected merely to obey, or like a cog in a wheel, expected merely to respond to and transmit external energy; he must be an intelligent medium of action.//
[ John Dewey ]

THE TENT / IGOR PONOSOV AND BRAD DOWNEY

“This year, a speech delivered by Putin declared, with lips split by a smile, the purpose of Crimea’s annexation as, “protecting the interests of the Russian-speaking population in Crimea.” This absurd oversimplification undermines the reality of the actions that took place. The annexation resulted in disorder and chaos, and deep mistrust between countries. In yet one more simplification of this complex situation, governments in both the East and the West, have executed orders motivated by greed that resulted in tragic loss.
The artists, Brad Downey, an American, and Igor Ponosov, a Russian, developed an altruistic friendship, despite odds being against them. Physical distance and language barriers stood as challenges, but over the course of four years, the artists came to know one another as brothers. They realized projects together many times and travelled to meet each other in different countries. They hoped to do a project in Ukraine one day, since Igor had especially come to love spending time there. When they heard about the conflict in Ukraine, they decided that now would be the best time to finally realize the project they wanted to do there.
It would be a chance to symbolically subvert the greed displayed by government. They prepared for the trip to Ukraine by stealing advertisement banners, a representation of consumerism, hence purchases obtained by money and influenced by greed. Brad and Igor converted the appropriated advertisement banners into a mobile artist workspace. The tent could be deconstructed easily and stored in a small backpack. By the time Brad and Igor were ready to go to Ukraine the peninsula had been annexed. Instead, they went to the Russian territory of Crimea. They asked no one to help fund this trip, for they wanted to accomplish it without external influences, during a time and in a location where outside influence ruled. For three days, they hiked to reach the Crimea’s highest plateau. Throughout this period of living inside the creation, they cherished the beautiful countryside and mourned the actions, or lack of action, from both the East and the West.”



HOUSE PROTOTYPE / LUIS ROLDAN VELASCO + ANGEL HEVIA ANTUNA

//This project aims to build a prototype house with minimal ecological footprint through the use of locally sourced natural materials and the drastic reduction in energy demand; energy efficiency is achieved by using natural thermal insulation throughout the external envelope and by developing strategies adapted to equatorial latitudes for solar energy capture through greenhouse effect.//
Located in Sangolqui, Ecuador, this house prototype has a layout of only 50 m². To provide more useful data for research, it has been designed to be dismantled so that it can be transported and tested in other climatic regions of Ecuador. After its useful life it will be possible to reuse or recycle it's parts.

  









FOOD FOR THOUGHT

//It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat.//

WELTSTADT - WHO CREATES THE CITY / GOETHE-INSTITUT

//Cities today are in constant flux, adapting to the many problems they are facing such as migration, mobility, security, social polarization and demographic change. Besides experts, politicians and investors, new actors and groups are answering to these challenges, questioning traditional practices of top-down city planning and development. Against this backdrop, the project Weltstadt – Who creates the city? asks: Who really creates the city today? And who will shape its future? Inspired by these central questions, Weltstadt aims to connect projects initiated by the Goethe-Instituts and their local partners worldwide, which all deal with new forms of local city-making. Weltstadt identifies projects that share a common interest in testing urban visions and are engaged in compiling new constellations of urban actors for a better tomorrow.//

RHEI / DAMJAN STANKOVIC

Hearing the phrase //Panta rhei//, time is amongst first things that come to mind, but when a designer and an electrical engineer join forces, there comes a new way of seeing things: //Never before has a liquid substance been unveiled in its pure, unrefined form and controlled in a manner which allows it to display tangible shapes. There is a middle ground between the analog and the digital sphere, where the rules of mechanics and the laws of nature come together in order to create a liquid illusion reminiscent of a contemporary, digital form.// Behind these words hides Rhei - the prototype of an electro-mechanical clock with a liquid display. The clock has been created by designer Damjan Stankovic as a result of a year long passion project and executed in collaboration with Marko Pavlovic, electrical engineer, and //many other wonderful people.//


Rhei - time flows. Literally from rollercoaster on Vimeo.

MINER'S SHELTER / DAVE FRAZEE

//Designed by Taliesin student Dave Frazee, the Miner's Shelter in Scottsdale, Arizona, is a 45-square-foot dwelling that responds to its harsh desert environment with a special metal cover that keeps it shaded at all times.//









FOOD FOR THOUGHT

//Putting things off is the biggest waste of life: it snatches away each day as it comes, and denies us the present by promising the future. The greatest obstacle to living is expectancy, which hangs upon tomorrow, and loses today. You are arranging what lies in Fortune's control, and abandoning what lies in yours. What are you looking at? To what goal are you straining? The whole future lies in uncertainty: live immediately.//


[ Seneca, L., Annaeus, On the shortness of life, Penguin Books, 2005. ]

THE INSTITUTE OF INERTIA / DR THOMAS WEBB

Inertia being one of the demons preventing people from reaching their full potential, a network of experts and academics has been formed under the name The Institute of Inertia, to work together to try to deconstruct the process of achieving goals and understand what makes people take action, end objective being to help people make better financial decisions and stop wasting their time and money. Led by dr. Thomas Webb, a social psychologist, the team will during the next 12 months conduct research with the members of general public and explore the behavioral barriers that restrain people from taking action and prevent them to manage their finances better. The long-term goal of the Institute is to develop "tools" for breaking the psychological inertia and inspire people reframe their behavior and choose to take action instead of staying within the comfort zone. 

To mark the launch of the Institute, and help understand the reasons for financial inertia, an online quiz has been developed. Whether a person has their ‘Head in the Clouds’, ‘Head in the Sand’, or lets their ‘Heart rule their Head",  the quiz provides tips based on individual’s results.


THE ART OF START / GUY KAWASAKI


WHAT IS ARCHITECTURE

//Ernst May's plan for Frankfurt, Martin Wagner's Berlin, Fritz Schumacher's Hamburg, and Cornelis van Eesteren's Amsterdam are the most important chapters in the history of modern urban planning. Yet beside the oases of order that were the Sieldungen - true constructed utopias, on the margins of an urban reality little affected by them - the old cities continued to accumulate and multiply their contradictions. And for the most part, these contradictions would soon appear more vital then the tools established by the architectural milieu to control them.//
[ Hays, K., Michael, Architecture theory since 1968,  The MIT Press, 1998. / p. 23 ]

WHAT IS ARCHITECTURE

//So you see, no matter how popular and successful a public space may be, it can never be taken for granted. Public spaces always -- this is it saved -- public spaces always need vigilant champions, not only to claim them at the outset for public use, but to design them for the people that use them, then to maintain them to ensure that they are for everyone, that they are not violated, invaded, abandoned or ignored. If there is any one lesson that I have learned in my life as a city planner, it is that public spaces have power. It's not just the number of people using them, it's the even greater number of people who feel better about their city just knowing that they are there. Public space can change how you live in a city, how you feel about a city, whether you choose one city over another, and public space is one of the most important reasons why you stay in a city. I believe that a successful city is like a fabulous party. People stay because they are having a great time.//

PETITE VIE / FRANCIS FONTAINE, LUCA FORTIN AND PASCAL LABELLE

Site specific installation Petite Vie is one of 12 that have been created as part of the Les Passages Insolites 2015 (The Unusual Passages) festival of public art held in Québec City, Canada. Designed by creative trio Francis Fontaine, Luca Fortin and Pascal Labelle, the Petite Vie mirrors the surface of the adjacent stone walls, it plays with their reflections and in doing that questions spatial meanings and relationships.
This one is a part of an organized event, but more often urban installations appear without asking anyone for permission; they surprise, provoke and intrigue. Most enchanting thing about urban interventions is not so much that they are an interplay of different media (installation, performance, art, architecture, activism) but that they are a strong expression of freedom because they are a product of a mind that thinks outside the constrains of established routines and systems. They are the results of creative experiments performed by intellectuals on structures that have mostly been shaped by capitalism, institutions and population migrations. Organized or not, the goal of urban interventions is the same - let the city talk to you and talk back to it. The ones that don't ask for permission just have more balls. Tomorrow is for those who dare. //Go out and have fun, you are the city.//  

"Ernst May's plan for Frankfurt, Martin Wagner's Berlin, Fritz Schumacher's Hamburg, and Cornelis van Eesteren's Amsterdam are the most important chapters in the history of modern urban planning. Yet beside the oases of order that were the Sieldungen - true constructed utopias, on the margins of an urban reality little affected by them - the old cities continued to accumulate and multiply their contradictions. And for the most part, these contradictions would soon appear more vital then the tools established by the architectural milieu to control them." HaysK., Michael, Architecture theory since 1968, The MIT Press, 1998. / p. 23 ]


OAKLAND'S TOWN PARK DIY SKATEPARK

//No city has any strength if the young people aren’t engaged. If you can build in front of them, for them, and also have them part of the process, then they can take ownership of what they have.// Keith “K-Dub” Williams



Skateboarding in Oakland is a short documentary that talks about how a skatepark can be a force for positive change. Recognizing the role skateboarding could play in improving choices local kids make, high school teacher, and Oakland resident, Keith “K-Dub” Williams began work on turning an unused space in West Oakland’s DeFremery Park, which locals refer to as just ’Town Park’, into a skatepark. That same year, 2007, an initiative with a similar idea has started off when Australian skateboarder Oliver Percovich began dedicating himself to the creation of Skateistan, a small non-profit skate school in Afghanistan. From a 'Sport for Development' project, Skateistan developed into international NGO that uses //skateboarding as a tool for empowering youth, to create new opportunities and the potential for change.// The organization is non-political, independent, and inclusive of all ethnicities, religions and social backgrounds. It focuses especially on girls and working children, provides access to education, works on developing leadership opportunities, building friendship, trust, and social capital. //Skateistan believes that when youth come together to skateboard and play, they forge bonds that transcend social barriers. Furthermore, through creative education classes the youth are enabled to explore issues that are important to them.// By now it has expanded to Cambodia and South Africa..
[ Sources: Huck MagazineSkateistan ]

THE DENISE / JARRE

The Denise is a set of cabinets designed to condition fruits and vegetables in a way that enables for them to be stored for a long time, without the need for electrical appliances. The design duo spent several years on projects aimed at improving food consumption and supporting the importance of local food and draw their inspiration, among others, from the research on conservation methods by design studio Jihyun David. The final solution for this project is simple and the product is made entirely out of renewable and locally sourced materials.

The first section uses sand to naturally preserve the moisture of root vegetables. The tray allows them to be stored vertically, in their original position. This conservation principle is inspired from cellars which our ancestors used to keep vegetables throughout winter. This section is designed for: Root vegetables such as shallots, celery, beetroots, carrots, leeks etc.




Some fruits and vegetables need to be hydrated daily while others do not tolerate low fridge temperatures. The Denise II is a ceramic bowl fitted with wooden slats that allows for the watering of fruits and vegetables. The collected water brings them the freshness and hydration they need. The bowl can be fixed on a wall, put on the dining room table, or simply left on the kitchen counter. This section is designed for: Tomatoes, cucumbers, gherkins, squashes, melons, zucchinis, peppers, apricots, lemons, oranges, kiwis, exotic fruits, peaches, pears, aubergines.  




The first compartment of this section is used for potatoes. Right above it is for apples. There is an air exchange between the two, as they have mutual conservation properties. The second compartment is to store garlic, onions, and French shallots.




DARK SIDE OF THE LENS / MICKY SMITH



//Life on the road is something I was raised to embrace. Me ma' always encouraged us to open our eyes and our hearts to the world, make up our own minds for experience of being inspired. I see life in angles, in lines of perspective, a slight turn of the head, the blink of an eye, subtle glimpses of magic other folk might pass by. Cameras help me translate, interpret and understand what I see. It’s a simple act that keeps me grin’. I never set out to become anything in particular, only to live creatively and push the scope of my experience for adventure and for passion. Still all of it means something to me, same as most anyone with dreams. My heart bleeds Celtic blood and I am magnetized of familiar frontiers: broad, brutal, cold coastlines for the right waveriders to challenge. This is where my heart bleeds hardest. I try to pay tribute to that magic through photographs, weathering the endless storms for rare glimpses of magic each winter is both a blessing and a curse I relish. I want to see wave riding documented the way I see it in my head and the way I feel it in the sea. It's a strange set of skills to begin to acquire. And its only achievable through time spent riding waves. All sorts of waves on all sorts of crafts, means more time learning out in the water. Floating in the sea amongst lumps that swell, you’ll always learn something. Its been a life long wise classroom teacher of sorts, and hopefully, always will be. Buried beneath headlands, shaping the coast, mind blowing images of empty waves burn away at me. Solid ocean swells powering through deep cold water. Heavy wave, waves with weight. Coaxed from comfortable routine, ignite the imagination, convey some divine spark, whisper the possibilities, conjure the situations I thrive amongst enough to document. We all take knocks in the process: broken backs, drownings, near drownings, hypothermia, dislocations, fractures, frost bite, head wounds, stitches, concussions, broke my arm… and that was just the last couple of years. Still look forward to getting amongst it each winter though. Cold creeping into your core, driving you mad, day after day, mumbling to yourself while you hold position and wait for the next set to come. The Dark Side of the Lens – an art form unto yourself not us: silent workhorses of the surfing world. There’s no sugary cliché. Most folk don’t know who we are, what we do or how we do it. Let alone want to pay us for it. I never want to take this for granted, so I try to keep motivations simple, real, positive. If I only scrape out a living, at least it’s a living worth scraping. If there’s no future in it, this is a present worth remembering. For fires of happiness or waves of gratitude. For everything that brought us to that point in life, to that moment in time to do something worth remembering with a photograph or a scar. I feel genuinely lucky to hand on heart to say I love what I do. And I may never be a rich man but if I live long enough, I’ll certainly have a tale or two for the nephews. And I dig the thought of that.//

INDUSTRIAL STYLE RENOVATION / PAOLA NAVONE

A 200-year-old, abandoned tobacco-drying factory in Umbria is transformed into an inviting home by designer Paola Navone. It is 500m² of open-plan floor area with 9m high ceiling. All the functions have been housed in one room, with an exception of the kitchen which has been closed off, but with a window wall.

//Visitors pass by a sentry wall of lamps on their way to the airy living-dining room with its 52 windows. Beyond, a gauzy wall of Indian cotton curtains leads to the bath. A balcony runs the perimeter of the living-dining room, a solution Navone came up with to deal with existing structural beams, which would have been too costly to remove. The walkway, or passerelle, is about four feet wide. Here, an Ergofocus hanging fireplace is flanked by two Navone-designed leather armchairs for Baxter. Farther along are a library and office. The massive dining table—12 mlong, made of kauri wood thousands of years old, and designed by Mario Botta—sits on a carpet of tile. “I didn’t want to have this old wood sitting on top of parquet,” says Navone. A motley assortment of chairs completes the vignette. “The table is so big, so important,” explains the architect. “You can’t make a statement with a chair.” The overscaled, slipcovered white sofa, a Navone design for Linteloo, is set parallel to the dining area, flanked by two armchairs. An old printer’s trolley, found at a flea market, serves as a coffee table. The rest of the living space is filled with an assortment of objects the couple has amassed over the years. The loft’s bed and bath areas are equally compelling. Andrea bought an old iron-framed bed at a flea market after texting photos to Navone for approval; the bed now takes pride of place in the room, swaddled mostly in white Indian cotton. The bathroom is a classic Navone tour de force. She created the bathroom sink, her own design for Ceramica Flaminia, and the stand is custom made from old discarded wood. The floor and the shower are tiled with more Navone-designed Moroccan tiles from Carocim. A freestanding tub from the Water Monopoly, an English company that specializes in antique tubs as well as reproductions, is installed by the white linen–curtained window.//
[ Dwell ]






SEA VILLAGE / BARBERIO COLELLA ARC

Sea Village is a conceptual project proposing sustainable design of temporary housing for surfers. A living unit, tetrahedron-shaped hut, is made mostly of bamboo, salvaged wood, and thrashed surfboards. The master plan of the village is an aggregation of 100 modules connected together by a promenade that extends in a straight line from the shore outwards. Alternatively, modules can be combined into clusters or exist as stand-alone units. //Life in the village system is organized across two levels: a lower floor, four meters above sea level, contains walkways and stairs that run the length of the development; above the promenade are the actual residences. Each has an area of about 100 square feet (30 square meters) and includes a kitchen, bathroom, and bedroom located above the staircase. To allow the units to function off-grid, Colella and Barberio conceived a system of mini-turbines and rooftop solar panels. This hybrid system of locally sourced materials, non-invasive energy acquisition, and communally adaptive infrastructure makes the Lanterns Sea Village an insightful perspective into the adaptive possibilities of oceanfront architecture and design.//


 



PAPER BRIDGE / STEVE MESSAM

// PaperBridge is an outdoor art installation created by artist Steve Messam, open to the public until May 18. It comprises 22,000 sheets of paper, made at Cumbria's Burneside Mill and carefully packed together over a wooden frame which was subsequently removed. It will be sent back to the mill for recycling once the installation is complete. The bridge was inspired by other temporary constructions, including Tokyo architect Siguru Ban's cardboard bridge in France. However, Messam's structure doesn't rely on fixings and instead rests on "vernacular architectural principles as used in drystone walls and the original pack-horse bridges that dot the Lake District," he says. // 




WHAT IS ARCHITECTURE?

// One day an artist was going on at length about all he did to purify and perfect his colors. M. Chardin, annoyed at hearing such talk from a man whom he knew to be no more than a cold and careful technician, said to him; "But who told you that painting was done with color?" "What is it done with, then?" the other artist asked in surprise. "Colors are employed," said M. Chardin, "but painting is done with emotions." //


[ Cochin, Charles-Nicolai, Essay on the Life of M. Chardin ]

LES ANGLES / STEPHANIE MARIN

The potential of one spatial configuration to transform according to different narratives is the sphere of scenography. When a collection of seating elements offers such possibility, space planing can turn into //composing of personal landscapes//. Inspired by the waves of the Mediterranean Sea, Les Angles is a set of eight modules with soft polygonal surfaces, that can be easily fitted together to form a paving and cover the surface of a floor, wall or ceiling. The geometry of the modules invites the user to activate his imagination and his body to test the facets, explore their potential and then decide about their function. These pieces of furniture, designed by Stephanie Marin, are not passive and quiet but catalysts for discovery and transformation, they are active participants in constructing and re-defining space.





WATERGATE HOTEL RENOVATION / BAHRAM KAMALI

// Show me the way 
To the next whisky bar 
Oh, don't ask why 
Oh, don't ask why 

For if we don't find 
The next whisky bar 
I tell you we must die 
I tell you we must die 
I tell you, I tell you 
I tell you we must die 
//