Showing posts with label anish kapoor. Show all posts
Showing posts with label anish kapoor. Show all posts

ALLURE AND IMPACT OF A COLOR

Tracing back through time, pink's journey unveils a fascinating narrative. It plays a significant role in shaping cultural norms and societal expectations, particularly concerning gender. Initially perceived as a symbol of masculinity in Western cultures, it gradually transitioned to symbolize femininity by the mid-20th century. Contemporary movements challenge these stereotypes, advocating for pink's inclusivity and versatility in self-expression.

Pink's influence extends far beyond its aesthetic appeal. In the realm of art and design, pink serves as a powerful tool for communication and expression. Artists and designers harness its vibrancy and versatility to convey myriad emotions and themes, ranging from innocence and romance to boldness and rebellion. From iconic artworks to modern-day fashion statements, pink continues to captivate audiences with its visual impact. As we look ahead, the future of pink appears promising and dynamic. With evolving cultural attitudes and societal norms, pink's significance is poised to transcend boundaries and inspire diversity in innovative ways.
















The article A deep dive into the color pink by Liz Huang landed in my inbox as a part of the Creative Mornigns newsletter. It offers an interesting overview for understanding the color pink's history and symbolism. I put a metaphorical pin into a particular anecdote described in the article exemplifying a fascinating intersection of art, freedom, and the debate over public and private property:
// In 2014, Surrey NanoSystems (SNS) invented the blackest color in the world, naming it Vantablack. They promptly managed to anger the entire art world by granting divisive artist Anish Kapoor exclusive creative rights to the substance.
Artist Stuart Semple responded in a conceptual and practical way by inventing the “Pinkest Pink” and giving all people the right to purchase and use the pigment — except for Anish Kapoor. In order to purchase it, you are required to assert that you are not Anish Kapoor and you will not give the pigment to Anish Kapoor.
Semple talked about selecting the color for its overt sexuality. “Pink is a really powerful color and this particular pink is extremely vibrant, so it felt like the logical choice to make the point I was hoping to make,” said Semple. He used the color to protest elitism, commercialization, and privatization, ultimately earning him the nickname “The Robin Hood of the Rainbow”.
Anish Kapoor did eventually gain access to the color, posting an image to his Instagram account of his middle finger coated in the pink pigment. He was promptly dragged through the mud in the comment section.
Semple followed up with a full series of pigments banned from use by Anish Kapoor, including “the most glittery glitter,” “the whitest white,” multiple Vantablack alternatives, and an even pinker pink. The feud appears to continue to this day. //

Read the whole article at Webflow

VANTABLACK / SURREY NANOSYSTEMS

//There's black, and then there's Vantablack.// 

Developed by a British company Surrey NanoSystems, Vantablack is currently the world's darkest material, absorbing up to 99.965% of light in the visible spectrum. It is so dark that the eye has difficulty understanding what it is seeing and the perception is thus limited to 2 dimensions. Vantablack ("Vertically Aligned Nano Tube Arrays") consists of a "forest" of carbon nano-tubes that are so densely packed that most of the light gets trapped inside the material.
Vantablack is mainly being used in research applications now from stealth aircraft and weaponry to calibrating space cameras and telescopes and increase their optical efficiency.
British contemporary artist Anish Kapoor has exclusive rights to use the Vantablack pigment in his art. //Vantablack seems a natural choice for Kapoor's experimental inclinations given his forays into working with stainless steel and mirrors. Kapoor's sculptures are designed to unsettle the viewer and distort their surroundings, so working with a material that functions as a portable abyss seems like a nice step up.//

[ Sources: dezeencool huntingdazed digital ]