Showing posts with label furniture. Show all posts
Showing posts with label furniture. Show all posts

SKATE BREAK / ZENGA BROS

Zenga Bros, a Vancouver-based, multidisciplinary creative duo, in collaboration with professional skateboarder Andy Anderson, created an ingenious furniture collection with a rebellious spirit - Skate Break. The collection consists of five unique pieces that can seamlessly transition between functional office furniture and skate-ready ramps. Each piece invites a different use, expanding the furniture’s utility beyond a single, static purpose. In the accompanying short film for the Skate Break collection, Andy Anderson showcases the skateable furniture pieces in action, illustrating how everyday items can redefine form and function with thrilling, playful results.

With this furniture collection, the Zenga Bros challenge us to rethink the spaces we inhabit and the way we design them. This approach aligns with architect Bernard Tschumi’s theory of Event Architecture, where space is not merely a container but an active participant in the experiences it hosts. Tschumi’s concept of “transprogramming” — fusion of two programs, regardless of their incompatibilities, together with their respective spatial configurations — mirrors the Zenga Bros’ innovative approach of blending workspaces with skate parks, letting two seemingly incompatible functions share a dynamic relationship.


In Tschumi’s words, architecture should be more than just form or function; it should be about creating “conditions” that encourage diverse and unexpected uses. The Skate Break pieces are exactly that — furniture that responds to both the need for functionality and the desire for play, creating moments of surprise and non-conventional interaction within the everyday.

The Skate Break furniture collection concept also finds a compelling resonance in Bobby Young’s article “A Skateboarder's Guide to Architecture or an Architect’s Guide to Skateboarding”, which positions skateboarders as some of the most functional, innovative users of urban spaces. Young argues that skaters, like architects, question the relationship between form and function, yet do so in a direct, physical manner. While an average person engages architecture and urban space at only one level and sees a bench merely as a place to sit, a skateboarder sees a set of opportunities: slides, grinds, or foot plants. Skateboarders are “purist” users of architecture, as Young notes, bending traditional uses and engaging the urban environment in unconventional ways. Similarly, Skate Break invites us to question the boundaries of work and play, practicality and imagination, as each piece blurs the line between art and action, utility and excitement.

Through Skate Break, the Zenga Bros and Andy Anderson are not just designing furniture, they’re redefining the relationship between function and form, making it easier to challenge conventional perceptions of space and purpose as these products become more accessible. Imagine a kindergarten furnished with these objects—instilling from an early age a sense of creativity and possibility, and reshaping how everyday environments are experienced and understood.
These multi-functional, skateable objects represent a call to action — a chance to see potential in the mundane, to engage with our environment on multiple levels, and to celebrate the playful possibilities that lie just beneath the surface of the everyday.


WOOL AND AIR COLLECTION / MALAFOR

With furniture like this moving apartments would be much more easier. The AIR collection, by polish design studio MALAFOR, consists of a sofa, armchair and three variations of stools. Each piece consists of a metal frame and inflatable pillow, they are light and easy to dismantle. 
Inflatable pillow comes in a pillow cover and both are made of modern textiles. Inflatable bags are very durable and can withstand the pressure of 2 tons. If pierced, they can be quickly and cheaply replaced. The pillow cover is made of an extremely durable, non-flammable and easy-to-maintain textile.




  

LES ANGLES / STEPHANIE MARIN

The potential of one spatial configuration to transform according to different narratives is the sphere of scenography. When a collection of seating elements offers such possibility, space planing can turn into //composing of personal landscapes//. Inspired by the waves of the Mediterranean Sea, Les Angles is a set of eight modules with soft polygonal surfaces, that can be easily fitted together to form a paving and cover the surface of a floor, wall or ceiling. The geometry of the modules invites the user to activate his imagination and his body to test the facets, explore their potential and then decide about their function. These pieces of furniture, designed by Stephanie Marin, are not passive and quiet but catalysts for discovery and transformation, they are active participants in constructing and re-defining space.





EVOLUTION DOOR / KLEMEN TORGGLER

It looks like a normal door, until you touch it. A kinetic art prototype designed by Austrian artist Klemens Torggler evolved into a system called the Evolution Door, a “flip panel door” (Drehplattentür) that uses the force of gravity for the opening mechanism: //The key principle is similar to a balance in the vertical position. In a door consisting of two parts, gravity causes one half to rotate. The physical work is redirected and causes the second, equally heavy door-half to move against gravity. To open and close a gentle touch is all that is needed, after that physics takes over.// Open Sesame!


TRAVEN / CHRISTIAN VIVANCO

// The challenge is not to offer to much design. It is to offer enough so each child can build his own story. //

Tavern is a collection of furniture for children designed by mexican designer Christian Vivanco in collaboration with the brand Nido Muebles. The collection is composed of an armchair, stool and toybox.

[ Sources: dezeen, Christian Vivanco ]


PIRA STOOL / DANILO CALVACHE



Pira Stool is a seating unit created by Colombian-based industrial designer Danilo Calvache. Bared down to esentials, this design conveys the concept of minimalism, but simplicity is not it’s only aesthetic value. A shift in perception reveals a design that calls for action and engagement. The unit consists of only two components: a frame and a seat. Their geometry and particular way these elements are organized form an object that resembles a didactic toy. Metal frame forms a stable base for supporting the bulky wooden seat. The depth of the seat has been deliberately exaggerated and shaped to gradually narrow from top to bottom so it allows the piece to fit into the frame. Depending how you look at it, these two elements can form a stool or may become a didactic apparatus. This design shows how to get more with less.

          

PIERRE AND THE ALMOND TREE, HOMAGE TO AN ARTIST / TOMAS ALONSO

// Designer Tomas Alonso pays homage to French artist Pierre Leron Lesur, who passed away in the beginning of 2014, with a furniture series that gives a functional dimension to the woodworking technique called “Sylvistructure”.
Baptized with this name over 50 years ago by the artist from Saint Rémy de Provence, “Sylvistructure” is a practice at the crossroads between art and craftsmanship that aims at revealing the natural beauty of pieces of raw wood found along the country roads of France. Pierre developed a particular interest in the nubby branches of the almond tree, which is becoming increasingly rare in Provence.
This practice includes delicate techniques to protect the wood from decomposing, while respecting the unique forms of the raw material.
Inspired by the contorted shapes of Leron Lesur, Spanish designer Alonso - who is making a name for himself with his intuitive and linear objects - adds functional, essential and simple elements that augment and amplify the expressive potential of natural wood. Thus art design series "Pierre and the Almond tree" is born, now on display at Victor Hunt gallery in Brussels. //