Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

FACE / YUMNA AL-ARASHI

Yumna Al-Arashi's photographic series captures the last generation of Muslim women with facial tattoos:

// The facial tattoos are often reflections of local astrological beliefs. The designs can be symbolic tributes to the stars, the moon or the sun depending on each woman’s personal preference. Although many women adorn their faces for cosmetic reasons, most believe that the intricate drawings connect them with the spiritual world and protect their households from evil forces. In either case, Yumna says, the tattoos are a manifestation of female strength: “These metaphysical connections translate as very powerful in these communities. Women are authoritative figures. They are the family’s decision-makers, they understand the land and animals’ needs best, they know how to use herbs to heal and they can cook. These are all essential survival skills.” The tattoos are symbols of matriarchal power in communities where women sustain the livelihood of their families. Men, Yumna says, are merely there to assist.


Face not only captures the Maghreb’s matriarchal communities, but also comments on the slow disappearance of female facial tattoos. “They started vanishing when capitalism was introduced to the region; corporate power is a dominantly male force. This in turn, saw the dissolution of the agricultural and natural power that women had controlled,” Yumna says. “It’s so easy for the media to tell people that these countries are backwards and that these women are repressed.” Yumna’s photography questions Western ‘progress’ and its orientalist preconceptions of Muslim communities by highlighting how the onset of capitalism has reorganised these traditional communities in line with a patriarchal social order. //



DARK SIDE OF THE LENS / MICKY SMITH



//Life on the road is something I was raised to embrace. Me ma' always encouraged us to open our eyes and our hearts to the world, make up our own minds for experience of being inspired. I see life in angles, in lines of perspective, a slight turn of the head, the blink of an eye, subtle glimpses of magic other folk might pass by. Cameras help me translate, interpret and understand what I see. It’s a simple act that keeps me grin’. I never set out to become anything in particular, only to live creatively and push the scope of my experience for adventure and for passion. Still all of it means something to me, same as most anyone with dreams. My heart bleeds Celtic blood and I am magnetized of familiar frontiers: broad, brutal, cold coastlines for the right waveriders to challenge. This is where my heart bleeds hardest. I try to pay tribute to that magic through photographs, weathering the endless storms for rare glimpses of magic each winter is both a blessing and a curse I relish. I want to see wave riding documented the way I see it in my head and the way I feel it in the sea. It's a strange set of skills to begin to acquire. And its only achievable through time spent riding waves. All sorts of waves on all sorts of crafts, means more time learning out in the water. Floating in the sea amongst lumps that swell, you’ll always learn something. Its been a life long wise classroom teacher of sorts, and hopefully, always will be. Buried beneath headlands, shaping the coast, mind blowing images of empty waves burn away at me. Solid ocean swells powering through deep cold water. Heavy wave, waves with weight. Coaxed from comfortable routine, ignite the imagination, convey some divine spark, whisper the possibilities, conjure the situations I thrive amongst enough to document. We all take knocks in the process: broken backs, drownings, near drownings, hypothermia, dislocations, fractures, frost bite, head wounds, stitches, concussions, broke my arm… and that was just the last couple of years. Still look forward to getting amongst it each winter though. Cold creeping into your core, driving you mad, day after day, mumbling to yourself while you hold position and wait for the next set to come. The Dark Side of the Lens – an art form unto yourself not us: silent workhorses of the surfing world. There’s no sugary cliché. Most folk don’t know who we are, what we do or how we do it. Let alone want to pay us for it. I never want to take this for granted, so I try to keep motivations simple, real, positive. If I only scrape out a living, at least it’s a living worth scraping. If there’s no future in it, this is a present worth remembering. For fires of happiness or waves of gratitude. For everything that brought us to that point in life, to that moment in time to do something worth remembering with a photograph or a scar. I feel genuinely lucky to hand on heart to say I love what I do. And I may never be a rich man but if I live long enough, I’ll certainly have a tale or two for the nephews. And I dig the thought of that.//

FOOD FOR THOUGHT

//There's a certain kind of charm and comfort in disorder that, not everyone appreciates. To know everything is not good. To be in a state of pleasant confusion sometimes can be very satisfying. Especially if you're slightly crazy. But I must not lead on that I know this.// Saul Leiter
[Saul Leiter - In No Great Hurry / d: Tomas Leach / y: 2012]

THE FINE ART NUDES / RASMUS MOGENSEN

//Photography is for me a search for harmonious shape and composition. What keeps me going is the fact that a creative career is a never-ending evolution in the search for a perfection that does not exist. I love the fact that there is always something you can become better at in the process.//

[ juxtapoz, Rasmus Mogensen ]

POLAROID INSTANT FILM / THE IMPOSSIBLE PROJECT

IMPOSSIBLE video shows a brilliant presentation that clarifies the chemistry of analog instant film and explains the process of developing a polaroid picture.
The Impossible Project is a group of companies that produce instant film for classic Polaroid™ cameras. Aditionally they invented the Instant Lab - a device that turns your digital photos to instant analog photos.